Choreographer Robert Binet has always been interested in the ancient myth of Orpheus and Eurydice. But there was just one problem: he had no appetite to present one more damsel in distress. The ...
Gluck’s “Orpheus and Eurydice” may be based on the Greek myth of a singer capable of beguiling even hell’s furies, but the opera has long been catnip to choreographers. One of the defining early works ...
Los Angeles Opera is presenting an updated, socially relevant, radically different interpretation of Christoph Willibald Gluck’s 1774 opera/ballet, “Orpheus and Eurydice.” It is adapted, directed, ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. While partnering as a character with obscured vision poses its share of expected ...
Orpheus Alive, which premiered last Friday evening at Toronto’s Four Seasons Centre, is choreographic associate Robert Binet’s first one-act ballet for the National Ballet of Canada. Artists have long ...
Los Angeles Opera is presenting an updated, socially relevant, radically different interpretation of Christoph Willibald Gluck’s 1774 opera/ballet, “Orpheus and Eurydice.” It is adapted, directed, ...
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