What happens when a ghost can no longer scare anyone? For Tangy Tantrik, it’s a full-blown career crisis! Once known for ...

The scary monsters from our favorite horror movies don’t just scare us silly. They can also teach us a lot about money. I was ...

See more of our trusted coverage when you search. Prefer Newsweek on Google to see more of our trusted coverage when you search. Candyman is back, haunting more people if they dare to speak his name ...

"I was a fan of the film since I was a kid, it was always part of the atmosphere growing up," director and co-writer Nia DaCosta told Yahoo Entertainment (watch above). "To be able to be part of that ...

The classic 1992 horror film “Candyman” was that rare film which demands sequels not just narratively, but also thematically. Candyman, the film’s titular monster, is an urban legend. He’s a Black man ...

Having seen Candyman (2021) only once, I remember it in pieces. Like Bernard Rose’s 1992 film of the same name, Nia DaCosta’s story of a couple living in Chicago ...

I consider 1992's Candyman to be the film that renewed my love of the horror genre, so I had extremely high expectations for Nia DaCosta and Jordan Peele's sequel of the same name. Much like 2018's ...

Nia DaCosta’s Candyman sequel to the original of the same name finally dropped. Discussions and differing opinions of the quality of the film, in comparison to the original, vary. Still, there’s a ...

You don't need to have seen 1992's Candyman to enjoy Nia DaCosta's new take on the franchise; in fact, it might confuse you even more. And you definitely don't need to see its sequels, which are ...

It has become cliché to insist that particular works of popular culture are about “trauma.” However, Candyman is very much a work about trauma. More than that, it’s about art that is about trauma.

Remus is a writer, editor, journalist, and author with an eye for detail and an extremely active imagination. He is an enthusiast of everything to do with the graphic medium, whether it's Western ...