If the Puerto Rican filmmaker Omar Acosta wanted to hear new music as a teenager in early ‘90s-era San Juan, he had to hit the pavement. In those days Acosta would roam the streets, seeking out a ...

Reggaeton is dead in the same way hip-hop is dead — the popular stuff no longer resembles the gritty, lo-fi ups and downs of the working class, from whose beaters and back-alleys both genres were born ...